Featuring ten collage illustrations by the author, Helen Ivory’s new poetry collection Constructing a Witch fixes on the monstering and the scapegoating of women and on the fear of ageing femininity.
In this collection, the witch appears as the barren, child-eating hag; she is a lustful seductress luring men to a path of corruption; she is a powerful or cantankerous woman whose cursing must be silenced by force. These bewitching poems explore the witch archetype and the witch as human woman. They examine the nature of superstition and the necessity of magic and counter-magic to gain a fingerhold of agency, when life is chaotic and fragile. In the poems of Constructing a Witch Helen Ivory investigates witch tourism, the witch as outsider, cultural representations of the witch, female power and disempowerment, the menopause, and how the female body has been used and misunderstood for centuries.
Helen Ivory is a poet and visual artist. She edits the webzine Ink Sweat and Tears, and teaches for UEA/National Centre for Writing online. She has published five collections with Bloodaxe Books: The Double Life of Clocks (2002), The Dog in the Sky (2006), The Breakfast Machine (2010), Waiting for Bluebeard (2013) and The Anatomical Venus (2019), with a sixth, Constructing a Witch, out in 2024. Fool’s World, a collaborative Tarot with artist Tom de Freston (Gatehouse Press), won the 2016 Saboteur Best Collaborative Work award. Wunderkammer: New and Selected Poems was published by MadHat in the US in 2023. The cover of The Anatomical Venus, which features her own artwork, won the East Anglian Writers Book by the Cover Award (East Anglian Book Awards 2019).
